Fun in the Freight House Neighborhood-Part II

I had a wonderful day, between lunch with a good friend at Lidia's Kansas City, and a stroll through two of Kansas City's great small art galleries on Baltimore St. near the Freight House, in the southern part of the Kansas City Crossroads.

Julia Fernandez-Pol's Lily Pad Light is rich with texture.

The two galleries are similarly named near-neighbors, the Leedy-Voulkos Art Center, and Sherry Leedy Contemporary Art.  This entry focuses on my visit to Sherry Leedy's gallery.  In an earlier entry I talked about some fascinating artwork I found at Leedy-Voulkos.

The Texture Tour
The artwork that really spoke to me at this gallery all seemed to be playing with texture in one way or another. 

In the artwork of Julia Fernandez-Pol, it is the actual, physical texture of the oil paint, which I'd guess must have been applied with a palette knife, that is the most riveting aspect.

For me, the rich colors and textures in these images added up to a delicious visual feast that rewards the eye on many levels.

Mark Lyon's Michael Rees

The textures of Mark Lyon, on the other hand, are created as two-dimensional visual texture, and created in a most unusual way.  Lyon describes his evolution into using the "machine-assisted" "humidrawer" technique in an interesting essay on his website.

The artwork appears to be a large photograph, from a distance.  Move in closer, however, and you'll discover the amazing patterns within. 

My favorite, I think, was the portrait of Michael Rees (shown at right), because when I looked very closely, I realized the areas inside the eyeglass frames had been rendered like a spiral moving in from the frames to the center.

To give an idea of how these textures work, I pulled a couple of examples from Lyon's site.  These are two different renderings of an eye, one using only black lines, as in Michael Rees, and the other using both black and white lines on a toned surface.

Mark Lyons 2-D texture created with mechanical help: Left: black and white lines on a toned surface; Right black lines only. 

IMAGE CREDITS:  Many thanks to the Sherry Leedy Contemporary Art artist pages for the images of Julia Fernandez-Pol's Lily Pad Light and Mark Lyon's Michael Rees (click on the artist's name for images; the image pages themselves don't seem to have a URL).  The "eye detail" images are from Mark Lyon's website.  Many thanks for all!

Fun in the Freight House Neighborhood-Part I

It's been a great day, between lunch with a good friend at Lidia's Kansas City, and a stroll through two of Kansas City's great small art galleries on Baltimore St. near the Freight House, in the southern part of the Kansas City Crossroads.

Cactus Flower by Rhonda Nass, from Leedy-Voulkos.

The two galleries are similarly named near-neighbors, the Leedy-Voulkos Art Center, and Sherry Leedy Contemporary Art.  This entry focuses on my visit to Leedy-Voulkos.  In a later entry I'll talk about some fascinating artwork I found at Sherry Leedy.

Desert Fascination
The Art Center's Front Gallery is filled with wonderful images of desert wildlife (both flora and fauna) from the "Vanishing Circles" show.

The show features "portraits" of endangered or threatened species of the Sonora Desert.  It is presented in cooperation with the Arizona-Sonora Desert Museum.

Edward Aldrich's Brown Pelican

It is a departure from the Leedy-Voulkos' more usual type of contemporary art--more representational in a "realistic" manner.  But it does any organization good to "shake things up" a little bit, even if that means showing what some might consider more "traditional" art forms.

The 29 artists whose work is included in the show certainly present a visually gorgeous show.  The animals, from highly endangered pupfish to more widely-distributed ospreys and burrowing owls (whose habitat in the Sonora Desert is nonetheless disappearing), are beautiful, exotic, and presented by artists who know their craft deeply.  The desert plants, many rather bizarre-looking to midwestern eyes, become objects of awe and wonder in some of these artworks.

Otter by Sheridan Oman

Art of a Desert Recluse
Continuing the "desert theme" in an adjacent gallery is another collaboration between Leedy-Voulkos and the Arizona museum.

As a printmaking "major" back in the day, who is incorporating more and more printmaking concepts into my own art, I deeply appreciated the Sheridan Oman show. 

Oman worked at he Arizona-Sonora Desert Museum for several years before retiring to the desert to create engravings of desert animals on copper plates. 

He never had a show during his lifetime, but his monochrome prints fill the Opie Gallery at Leedy-Voulkos, and are well worth a close-up look.

The Art Center has several other shows running simultaneously with these.  Please see their website for more information.

IMAGE CREDITS: Many thanks to the Leedy-Voulkos Art Center for the images by Rhonda Nass and Edward Aldrich.  I am indebted to the Covington Gallery for the Oman "Otter."