Nudity and Public Art

Yu Chang's sculpture recently
caused a furor in Kansas City (Photo by
Fred Blocher, for the KC Star).

“Being unclothed is not the equivalent of lewdness,” I wrote in a Letter to the Editor recently, but unfortunately many people persist in seeing it that way—and it has an impact on artists.

In Kansas City recently, we've been wading through yet another controversy about nudity in public art. As readers from outside KC may be aware, and as my home-turf readers can readily testify, both Kansas and Missouri are very socially conservative states.

This is not to say that people around here cannot be well educated or sophisticated. But the echoes of the 19th-century Holiness movement, with its cultural wariness about anything “worldly,” still reverberate loudly around here.

The focus in Kansas City at this moment is a sculpture in the Overland Park Arboretum. Chinese artist Yu Chang’s sculpture, Choice: Accept or Reject would not at first seem much of a candidate for a charge of immorality: the poor woman has lost her head, and is coming all to pieces over taking a photo of herself.

The work strikes me as being rather far from sexy or sensual. I think it would be more appropriate to see the nudity as expressing vulnerability to self-esteem issues.

The message of Pray Standing by Arden Ellen Nixon
has little to do with sexuality!

This episode has brought to mind another recent experience. I am the Art Show Director for the annual ConQuesT Art Show, held in Kansas City each Memorial Day Weekend.

One of our exhibitors, Arden Ellen Nixon, is unfortunately all too familiar with the heavy-handed censorship that can come from a misunderstanding of nudity in art. She queried me beforehand, about the acceptability of some of her images for the show. “Do I need to engineer some painter's tape pasties, or are [these] pieces acceptable as is?” she asked.

The pieces in question needed no “pasties,” as far as we were concerned. She sent them, we exhibited (and sold some of) them, and not a single word of complaint came to anyone on the Art Show staff. Compliments, yes—complaints, no.

To me, her work makes expressive use of nudity as a metaphor for spiritual concepts, as in Pray Standing, the work she gave me permission to share here. I really love this piece. It speaks to me of standing in complete openness before the Creator—a powerful message that we could not receive without the nudity of the central figure.

To get into a dither over exposed “boobies” is something most adults should hope to have moved beyond when they made it to high school . . . and yet, the petition to remove the sculpture still gathers signatures. 

How much better to simply confront the artwork, and let it speak to you with its own visual vocabulary!

IMAGE CREDITS: The photo of Yu Chang’s sculpture is by Fred Blocher, and was published through the Kansas City Star’s “Johnson County 913” magazine. Pray Standing is shown here courtesy of the artist, Arden Ellen Nixon. See more of her work on her website. 

Jumping the Rut

It's possible for a routine to get as entrenched
as the ruts in this historic Wyoming wagon road.

It can be a real benefit to break my routine--even if it plays havoc with production for a while.

If you've been following this blog you know I sort of dropped out of sight after the May 5 post. That's because I was deeply involved in a new project that required all my time.

I was working as the Art Show Director for ConQuesT 42, a science fiction convention held on Memorial Day weekend in Kansas City, MO.  ConQuesT is the annual project of the Kansas City Science Fiction and Fantasy Society, Inc.

Four of my intrepid Art Show staff members, Kat Gibb, Kat
McCullough, Signy Gephardt, and Ty Gephardt, helped me
set up the display area Thursday May 26, 2011.

I sort of fell into the job in the early spring, only about 3 months out from the show--so I had to scramble to get ready. This was especially challenging because although I've been showing my artwork at sf conventions since 1981, was an agent who handled other artists' work for many years, and even helped co-author the ASFA Art Show Guidelines for the Association of Science Fiction and Fantasy Artists, Inc., I'd never been an art show director before.

It was a job I'd always avoided. I figured it would be a distraction.  It would keep me from creating my own work before the show, and during the show it would prevent me from making professional contacts.   Not worth it, I figured.

Here's a general view of the Art Show, after it was set up.

Oh, it certainly was a distraction. It hampered my ability to make my own work, and it anchored me in the art show all during the convention.

What I did not anticipate was how stimulating it would be, and what a great rush of creative input it would provide.

I did not realize how much more familiar I would become with the work of the other 24 artists who participated in this show, than I could have become simply by looking at their displays at the show.

Being the Art Show Director gave me a chance to interact with them, view their websites, handle their art as we put it up, sold or took it down at the end of the show, and talk with both attending artists and art buyers about this varied collection.

I'd love to offer you a chance to see their work in more detail, too.  That's why the rest of this post consists of links to the websites, blogs, etc. of all the ConQuesT 42 artists who maintain a Web presence. They are:  Allison Stein, Arden Ellen Nixon, Bev Hale, Cat (R. Cat Conrad), Chris Dame, Lubov, Lucy A. Synk, Mark Roland, Peri Charlifu, Rachael Mayo, Sarah Clemens, and Theresa Mather.

Please take time to enjoy a look at their varied and interesting artwork!

PHOTO CREDITS:  Many thanks to the "Heritage Gateways" website for the pioneer trail image, and to Ty Gephardt for the image of the ConQuesT 42 Art Show as it looked when all set up.  I took the photo of my staff at work on May 26.