Stimulate the Economy! Yes, the Arts DO That!

The Kauffman Center for the Performing Arts, designed for
Kansas City by Moshe Safdie, is part of our vibrant
nonprofit arts scene. 

Two hundred seventy-three million dollars.

Eight thousand, three hundred and forty-six full-time jobs.

Nine million dollars of revenue to local governments.

Even to the One Percent, that isn't exactly chump change (though the Kansas-based Koch Brothers have spent far more this year on their political agenda).

To the rest of us, those numbers look dowright impressive.

According to an article published in today's Kansas City Star, a pair of studies by Americans for the Arts has calculated that my home town benefited to the tune of those impressive numbers in 2010, thanks to the economic engine that is the nonprofit arts community in our town. 


The Arts and Economic Prosperity IV Report seeks to measure the "quantifiable economic impact of nonprofit arts and culture organizations and their audiences." The Local Arts Index is new this year, and was designed "as a tool to better understand the characteristics of the cultural life of individual communities." 

Some other towns realized even more benefit, some less. But these reports tell--yet again--a story that should be clear to anyone who's been paying attention: far from being a "frill," the arts are economically important. 

Artists are often urban pioneers, spearheading renewal in run-down neighborhoods--just as they have done in the Kansas City Crossroads, and are attempting to do in our West Bottoms and on Troost Avenue. Arts and culture are an important factor in determining a city's "livability." They foster and enhance an environment where innovation, renewal, and growth builds a more vibrant tomorrow.

Yet still it's hard to get many people to see this value. Perhaps reports like the ones reported on today will begin to open a few more eyes.

PHOTO CREDITS: The beautiful image of the Kauffman Center is from a photo gallery of images posted on the Inhabitat website (I highly recommend you go look at them, and get to know the Inhabitat site; they have many wonderful things!).  I took the Crossroads photo, myself.

Nudity and Public Art

Yu Chang's sculpture recently
caused a furor in Kansas City (Photo by
Fred Blocher, for the KC Star).

“Being unclothed is not the equivalent of lewdness,” I wrote in a Letter to the Editor recently, but unfortunately many people persist in seeing it that way—and it has an impact on artists.

In Kansas City recently, we've been wading through yet another controversy about nudity in public art. As readers from outside KC may be aware, and as my home-turf readers can readily testify, both Kansas and Missouri are very socially conservative states.

This is not to say that people around here cannot be well educated or sophisticated. But the echoes of the 19th-century Holiness movement, with its cultural wariness about anything “worldly,” still reverberate loudly around here.

The focus in Kansas City at this moment is a sculpture in the Overland Park Arboretum. Chinese artist Yu Chang’s sculpture, Choice: Accept or Reject would not at first seem much of a candidate for a charge of immorality: the poor woman has lost her head, and is coming all to pieces over taking a photo of herself.

The work strikes me as being rather far from sexy or sensual. I think it would be more appropriate to see the nudity as expressing vulnerability to self-esteem issues.

The message of Pray Standing by Arden Ellen Nixon
has little to do with sexuality!

This episode has brought to mind another recent experience. I am the Art Show Director for the annual ConQuesT Art Show, held in Kansas City each Memorial Day Weekend.

One of our exhibitors, Arden Ellen Nixon, is unfortunately all too familiar with the heavy-handed censorship that can come from a misunderstanding of nudity in art. She queried me beforehand, about the acceptability of some of her images for the show. “Do I need to engineer some painter's tape pasties, or are [these] pieces acceptable as is?” she asked.

The pieces in question needed no “pasties,” as far as we were concerned. She sent them, we exhibited (and sold some of) them, and not a single word of complaint came to anyone on the Art Show staff. Compliments, yes—complaints, no.

To me, her work makes expressive use of nudity as a metaphor for spiritual concepts, as in Pray Standing, the work she gave me permission to share here. I really love this piece. It speaks to me of standing in complete openness before the Creator—a powerful message that we could not receive without the nudity of the central figure.

To get into a dither over exposed “boobies” is something most adults should hope to have moved beyond when they made it to high school . . . and yet, the petition to remove the sculpture still gathers signatures. 

How much better to simply confront the artwork, and let it speak to you with its own visual vocabulary!

IMAGE CREDITS: The photo of Yu Chang’s sculpture is by Fred Blocher, and was published through the Kansas City Star’s “Johnson County 913” magazine. Pray Standing is shown here courtesy of the artist, Arden Ellen Nixon. See more of her work on her website.